Hi Harry

Role

In this video, I worked with City to Sea to bring their script to life and adapt it in a way that was engaging to watch, that incorporated their brand and also embedded the organisation’s values of being brave and playful. I then organised both shoots and worked with the client in the edit to get it to what you see above.

Role

This was a solo project that I conceptualised, shot and edited. This particular role allowed a lot of creative freedom when it came to structuring so I was able to play freely with how I assembled the final film.

Role

As part of our documentary project, one of the actors we followed was performing in this amazing drag show for kids. The Producer of the show had us make a small promotional clip of the show which you can view here.

Role

As well as capturing an initial interview about their expectations I used diary cam footage from each of the participants to journal their experience. At the end of the trial, I also set up a group session where the women met at discussed their experience. We filmed this in the office of City to Sea and used a simple multi-camera setup. I also worked as the editor on this project.

Role

I’m lucky enough to be co-producing this documentary alongside actor, producer and my fiancé, Maria Webb. Of course, with all of these projects, I’m wearing multiple hats; going back to my roots as a cameraman and cinematographer, I will be co-directing and shooting this documentary. We started pre-production in February 2018 and in June began filming initial interviews.

Role

In 2012 I had the privilege to be one of the sixteen contributors for the main event, LuxCity. I was paired up with an architecture studio made up of second year architecture students and we were given the theme ‘illusion’. I used my musical knowledge to bring in another element to the space.  The concept was to create a protest site in response to the Canterbury Earthquake Recovery Authority blueprint.

In the 2014 Festival I was invited back to contribute towards the main event, ‘CityUps’. This time each installation was created around a large scaffold frame. I joined up with an Auckland University group to develop a collaboration with their ‘Daze Maze concept’. We created individual stages placed at different points throughout the maze for musicians to perform on. Each performer was then amplified in a different part of the maze as well as having an acoustic presence in the immediate area of each performer’s stage. This created an interactive setting where the person would try to mix what they heard by being led around the space whilst exposing themselves to different sounds and images.

Role

For Chambers Sessions my role, along with Andrew Densem (fellow student during the sessions early years and friend) was to create the concept and deliver the project, calling on volunteer support as well as finding funding needed to keep the project alive. After Warren Feeney put a call out for people to approach the gallery in order to liven the vacant space outside of opening hours we approached him with the idea. Due to a lack of venues operating, the generous offer allowed us to realise our idea as the gallery provided the perfect listening environment. Once negotiated our role was to promote the sessions, fill the space with quality bands and a lively audience and make sure things ran smoothly.